SE1 9PX: Hidden Corners National Theatre
The Project
Only a third of the NT is open to the public: the rest is the domain of the technicians, actors and arists who work there. Between May and July 2010, I sought out the hidden corners and secret spaces of the iconic Denys Lasdun building, seeking out rarely seen and often overlooked spaces. My work reveals spaces that 'power': the plant rooms, air-conditioning channels, the road to the Bossari tank which once held 47,500 gallons of oil to fuel the building. I explore the 'body' of the building: the heart-like actors quadrant, giving light to each dressing room, and the 'spine' of Drum Row which links workshops, rehearsal rooms and stage areas. I seek to capture the marks and traces left over the years, by staff past and present, and highlight the unique architecture that makes the NT building, for some, one of the most admired in London.

The Process
The National Theatre was being built in the same year as my 1974 Hasselblad was made. Keen to find the right medium and process to reflect the environment, I return to film and explores cross processing transparency film: a process of deliberately processing photographic film in chemicals intended for a different type of film. This gives high contrast, unpredictable colour casts and sometimes blown out quality often associated with polaroids of the 1970s and 1980s. As the digital wave rolls on, my favourite Ektachrome 100 GX film has been discontinued, and this project is shot on the last remaining obsolete stock in London, making this an unrepeatable portrait.

None of the images in the exhibition have been digitally manipulated or colour modified.

All images are for sale, as fourteen inch C-type handprints in a signed, limited edition of 7.
Please contact miriam.nabarro@mac.com.

Miriam Nabarro's remarkable pictures go behind the scenes to reveal the dramatic inner workings of the National Theatre... her photographs were taken...using obsolete [film]stock, were then cross-processed, a technique that fills the glossy squares with lustrous colour that seems appropriately theatrical. As with the NT, there is method behind this magic, and they celebrate all of its unsung organisationThe Independent on Sunday, 15 August 2010

The theatre designer and photographer Miriam Nabarro has been skulking around the hidden corners and secret places of the National Theatre...Using a Hasselblad camera older than the theatre itself, she gives these mysterious images a gorgeously retro feel, with high contrast and saturated colour, like a 1970s movie
The Times, 20 August 2010, Alex O' Connell, The Editors Choice, Visual Arts